Valhalla Bound

A friend sent me a link to this fun animated film, The Saga of Biorn, a few weeks ago - I like it better each time I see it. It is technically accomplished for a student film, which is apparently what it is. It eschews clichés successfully and has some good visual jokes. I would even venture to say that its insights into Viking concepts of death and the afterlife for warriors are not entirely to be sniffed at. Well done to those at Animation Studio in Denmark who made it.

Working Towards Vikings

The big Viking exhibition of 2013-14, about which I have blogged before, is now being prepared in earnest. First out will be the National Museum of Denmark, after that it will travel to Berlin and then here to the British Museum in 2014, I believe, from Deep Throat in the British Museum. The group preparing the Copenhagen exhibition now has a blog, where you can follow their work as they travel round getting inspiration from other displays. The blog's in Danish, but no doubt my readers can cope with that, especially after all those episodes of The Killing? There's a nice photo here of Gareth Williams at work among his coins in the British Museum  Your blogstress and a small group of her students had an excellent day in London last Monday looking at various runic objects and coins, with the kind assistance of the very same Gareth.

Burning Ice, Biting Flame, and a Bracelet of Bones

All the b-words above are quotations from the work of Kevin Crossley-Holland. The man himself ventured into Viqueen territory earlier today, to take part in a round table of writers of popular books about the Middle Ages, organised by a most estimable colleague of mine. A good time was had by all, the speakers were all engaging, the audience all engaged, and I'm told that the subsequent workshops fairly zinged with excitement. The day was tinged with some nostalgia for me, since K.C-H. and I have a long-ago connection (strictly professional of course, but hugely important to me) that goes back some twenty years or more - the interested reader can certainly discover it by diligent research - and it was the first time I had seen him since then.
More importantly, Kevin is a prolific and successful poet, prize-winning author of works for children, and skilful interpreter of Norse and Anglo-Saxon cultures. For his views on burning ice and biting flame, see this guest blog on Norse mythology for one of his publishers. As for the bracelet of bones, that is in fact the title of Kevin's forthcoming children's novel on a Viking theme, to be published within the next month or so. Definitely something to look forward to.

Runestone Red

There is a danger that this blog is just turning into free advertising for variously more or less vaguely Norse and Viking-related products. I'll try to get more serious next time...promise. But I can't resist providing a link to this article in the San Luis Obispo Tribune, celebrating their local Claiborne and Churchill winery. The Tribune is not my regular rag, I have to confess, but clearly a noteworthy organ in the Californian media landscape.
Claiborne Thompson was once upon a time a runologist in Michigan, but gave it all up 30 years ago to become a vintner in California (quite a choice, eh?). At the Seventh International Runic Symposium in Oslo last year, we all had the pleasure, not only of meeting Clay and Federicka, but of drinking their fine 'Runestone Red' (actually a Pinot Noir) at the final banquet. Many persons younger and more susceptible than I had very sore heads the next day (they know who they are), pretty much as if a rune stone had fallen on them (it's a 13.9% wine).
As for myself, I do hope one day to drink another bottle, and to be able to keep the empty bottle in my special Viking wine holder.

Scandi Woollies

Those of us who know and love the Norse and Viking world also love their woollies. The most recent high-profile item of such clothing is the jumper (or jumpers, I think there are at least two), worn by cool detective Sarah Lund in The Killing (currently on BBC4). The programme is, of course, utterly absorbing, not just for those who love stretched-out Scandinavian crime over 20 episodes (Saturday evenings are cancelled for the foreseeable future), but for all who love fabulous camerawork, subtle acting and an amazing, deeply dark atmosphere. The programme has been receiving high praise in the papers for all of these things (just Google BBC4 The Killing and see). UK readers who have missed out so far can catch up on the BBC4 website. One thing I don't quite understand, however, is the English translation of the title. The original Danish is Forbrydelsen, which in my understanding means 'The Crime' (or 'The Felony'), which seems to open up all kinds of interpretative options not available from the English version of the title.
But the real burning question is where Sarah gets her jumpers from. Diligent research on my part has revealed that they can be purchased from Faroese firm Guðrun & Guðrun, though for a little more money than I would currently want to give for such an item (given that the poor old UK is just not cold enough to wear it that often). Still, I thought I'd give them a little plug, since the Faroes in general haven't had much of a look-in on this blog yet, even though I love the place. I found the islands fascinating and wonderful both times I visited, but it's now been a decade since the last time - I'm feeling the urge...

Woods and Trees in the North?

I just caught the last few minutes of a programme on Radio 4 which sounded interesting, Woods and Trees - Iceland and the Scottish Islands. I went to Listen Again, to find out what they could say about trees in the largely treeless landscapes of Iceland and the Scottish islands! It turned out to be a composite programme, one bit about woods and trees and the other bit about Iceland and the Scottish Islands. Pity, it would have been interesting to hear a bit more about trees in these landscapes.
The second part of the programme was an interview with Sarah Moss, whose book Cold Earth I read a while ago. It's a thriller set in an archaeological dig in Greenland, with lots of strange happenings, in many ways not unlike the atmosphere conjured up by the Icelandic sagas that are set in Greenland. The archaeology bits are not especially credible, but it's an effective story all the same.
It turns out that Sarah Moss has lived in Iceland (which was what she was being interviewed about) and is currently writing a book about it. On following her up I see she just has a new novel out, Night Waking, set in the Hebrides, and on the programme she recalled her childhood holidays in Orkney. She is clearly a lady who likes all the right places! I shall check out this new novel and see what I think.

Myths of the Pagan North

The title is a bit lurid (the publisher's idea, perhaps?) and the subtitle (The gods of the Norsemen) not much better (didn't Norsewomen have gods?). But one can ignore all that and appreciate Christopher Abram's new book. There is no shortage out there of books on Norse mythology, from the high academic, to the execrable popularisers, and everything in between. But this one is a bit different, it takes an interesting historical approach to the topic and has lots of stimulating ideas which, while they might not always be right, are well worth thinking about. And it has a welcome focus on skaldic poetry. There's a review of it in the February BBC History Magazine.